Архив журнала

Abstract (original): The publication presents the results of a study of the postmodern transformation of the image of the flaneur in the novels of modern German writers – Traveling on One Leg by Herta Müller and The Sad Guest by Matthias Nawrat. The theoretical foundation of the study draws on the works of M. Iampol’ski, W. Benjamin and Z. Bauman, dedicated to the flaneur as a sociocultural, historical, literary and philosophical phenomenon. The article examines the historical conditions for the emergence of the flaneur as a social phenomenon at the turn of the 18th – 19th centuries, defines the main characteristics of the flaneur as a literary figure (“super vision” (M. Iampol’ski), marginality, and creativity), and investigates the evolution of the flaneur in the works by E. A. Poe, F. M. Dostoevsky, and Ch. Baudelaire. The fundamental thesis of M. Iampol’ski that the flaneur, as one of the variants of the observer, reflects the crisis of the subject in European culture, allows talking about the proximity of the figure of the flaneur to the postmodern “disappearing subject”. In the 20th century, the flaneur becomes a philosophical concept – a key one in the philosophy of W. Benjamin, in which the habitus of the flaneur is associated with the spatial structures of the metropolis as a symbol of modernity. Z. Bauman offers a postmodern interpretation of the flaneur, considering him from the perspective of nomadism and the axiology of postmodernism. The image of the flaneur is widely represented in modern German literature, especially in the prose of migrant authors, which include Müller and Nawrat. The work examines both the traditional characteristics of the flaneur inherent in the characters of the novels under study, and the possibility of understanding them in the context of the postmodern interpretation of the flaneur by Bauman: as a nomad in constant motion, deprived of the idea of home as a starting point or destination, having no life strategy, avoiding rootedness in social ties or profession. The dynamics of the image of the flaneur in the modern novel interacts with the interpretation of the postmodern metropolis as a space of transit, a “non-place”, a conglomerate of cultural worlds in which flaneur crystallizes as a lifestyle. It is concluded that the image of the flaneur in these authors represents the crisis experience of our time: the worldview of Müller’s female protagonist is determined by the trauma of the dictatorship, and the novel by Nawrat conveys a doubt in the ability of the story-teller flaneur to respond to the challenges of the modern world.

Об авторе (авторах) :

Дронова О. А.
Тамбовский государственный университет имени Г. Р. Державина (Тамбов, Россия)
ORCID ID: https://orcid.org/0000-0003-4508-7237 SPIN-код: 7649-7179

Сроки публикации:

Дата поступления: 15.07.2024; дата публикации: 28.12.2024

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