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Abstract: This article discusses the unique (for all traditional) actually Belovskij crank-type hero, endowed with the power of a grand revive. As research material involved story "Yogi" (1917) and the trilogy "Moscow" (1926–1930). Consistently proved as a conceptual proximity images heroes cranks derived Bely analyzed in two texts, and their cross-cutting nature of the literary heritage of the novelist. Particular attention is paid to structural (repeatability in the text, associativity) and semantic (household and ontological) as motives constituting narrative field heroes.